no ordinary plumber

Jamie, you’re writing a play here, this is more like a novel, totally captivating, it drew me in and I couldn’t wait to hear the ending, but its’s not a play. He looked like a French cavalier with a van dyke beard and longish gray hair, with these intense blue eyes, he is after all, he says, intense. Look Jamie you’re dealing with a very deep powerful subject here when you’ve talking about war, remember no one really wants to here about it, they don’t care about suffering, your suffering, you’ve to draw them into this magical place so they can’t get out and then you leave them whipped in the isles, make your dialogue terse, cut it to the bone, your actors won’t be able to remember this long of a monologue, you’re the playwright anyway, you’re not going to be doing this yourself . help your actors out, give them something so they’re able to bring their own emotions and feelings into the piece , and by the way we’ll put on that faucet for you tomorrow, ten am. Don’t forget, it’s an 8 inch wall mounted faucet, you may have to go to Dahl plumbing to get it, and with that he gave me a hard knuckle to bone goodbye and nodding at me went out to his truck.